Yvonne Jones - Artist
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  • 2011, 2.1 sensing the painting mixed x rays video ex position with small painting sensing the painting
  • 2011, 2.2 sensing the painting mixed x rays video ex position with small painting sensing the painting
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Yvonne Jones: (Artist Researcher)

Conferences, Catalogues

   This site / Artist Statement / Biography / Exhibitions, Collections, Awards, Support /Catalogues / Education    and Membership

   
   Publications Include
  •  Waiting for the Rain to Stop: ArtUK, BBC Your Paintings (online)
  •  Mertyn Crewe (Holywell): ArtUK, BBC Your Paintings (online)
  •  Fragmented Memories (painting); In Dialogue: Material Imagination (catalogue)
  •  X-Position (3 videos); Feint, Brick Lane. London 
  •  Vision in Residence, Yvonne Jones’ Memory Three (still image) IN Corporeal feminism and the Representation of Women by Women.   PhD thesis by Michele Waugh.
  • Peeling the Body (paper) in LASS Doctoral Research Journal - Issue 1, University of Southampton.
  • 701085; in Winchester School of Art Research Anthology,(paper) in response to Private View, an essay by Professor Tim Elliott and Anneke Lucassen; Edit. John Gillett and Beth Harland, University of Southampton.
  • Peeling the body - (a visual essay), in Human 2.0 Conference Programme.
  • Yvonne Jones, Corporeality by Rogelio Vallejo in Re:Imagining Wales, A Yearbook of the Visual Arts, Edit. Hugh Adams, Seren.
  • The Eye of the Artist (video installation) IN Bloomberg newcontemporaries 2004 (catalogue)
  •  Waiting for the Rain to Stop oil on canvas IN New Hall, Catalogue of the Women’s Art at New Hall 3rd Edition (also catalogue editions 1 &2, 1996 & 1992)
  • Montparnasse by night painting, neon installation IN Words; Don’t Stand on Trifles (catalogue)
  •  Welsh Landscape, acrylic IN The Laing Art Exhibition (catalogue)
  •  Music Makers at Penzance; Third Movement, acrylic IN Sotheby’s auction Hearts of Gold (catalogue)
  •  Dad; Twenty Years Ago To-day; Waiting for the Rain to Stop three works, mixed media IN The Pastel Society (catalogue)
  •  Self Portrait mixed media IN The Royal Academy Illustrated 1989 (catalogue) 
  •  Don’t Stand on Trifles, Aspex
  • Describing the Elephant IOW;                                                    




                                                          Posthuman issues are central to my work,
                                               Phenomenology and Imagination are tools in my process


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This site / Artist Statement / Biography /Exhibitions,Collections,Awards,Support /  Catalogues / Education and Memberships

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